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“I don’t know if I like it”: Sofia Coppola’s Priscilla in all its flawed glory.
by Emily Costello
director
essay
Why Do We Love the Bad Boys? The Romanticisation of Toxic Relationships.
by Isabel Hodges
essay
theory
How Hooper’s 1974 Masterpiece The Texas Chainsaw Massacre Slashes Audience Expectations.
by Eda Gokcen
horror
analysis
Natural Born Critiques; How Stone Uses Form to Criticise Different Mediums.
by Fionn Morris
director
essay
Faux Advertising: Products and Billboards Within Films.
by Oliver Spicer
essay
theory
Sharp Laughter; The Slasher Genre Throughout the Decades and it’s Absurdist Satire.
by Fionn Morris
horror
history
Is Film a New “Affirmation of the Spirit of Man”?
by Bryn Gatehouse
essay
theory
Halloween and the Horror Movie Soundtrack.
by Emily Costello
horror
essay
A Scene of Shadows from Casablanca.
by Oliver Spicer
essay
inspirations
The Alien Feminine: Birth and Pregnancy as a Horror Spectacle.
by Emily Costello
horror
feminism
Interview with Laura Citarella, director of Trenque Lauquen.
by Oliver Spicer
interview
director
My Obsession with Dirty Dancing and its Catering to the Female Gaze.
by Chloe Buxton
essay
feminism
Portrayals of Femininity in Nichols' The Graduate.
by Eda Gokcen
feminism
analysis
The Weeknd, Harry Styles, & the Singer to Actor Pipeline: Maybe You Just Can’t Do Both?
by Isabel Hodges
industry
essay
EIFF 2023
Fremont + Interview with Director Babak Jalali.
Art on Film: Showing Up & Art College 1994.
Kill + Interview with Director Rodger Griffiths.
The Strange Case of Dr Jekyll and Mr Hyde + Interview with Director Hope Dickson Leach.
Past Lives: the Space Between Love.
Superposition + Interview with Director Karoline Lyngbye.
Silent Roar + Interview with Director Johnny Barrington.
Hyperlinks Through the Lens; The Internet's Dual Aesthetics in Cinema.
by Fionn Morris
genre
analysis
Fascism in Film 4 - Il Conformista.
by Bryn Gatehouse
fascism in film
essay
Do Blondes Really Have More Fun? Hollywood’s Fetish for Platinum.
by Emily Costello
industry
essay
Barbie & Oppenheimer.
by The Writers
The Fingerprints of Auteurs.
by Oliver Spicer
director
theory
Sill Life is Still Life: Asteroid City, with Wes Anderson Q&A at BFI Southbank.
by Isabel Hodges
director
industry
Back to the Future – Metaphysics of Time and Time Travel
by Bryn Gatehouse
science
theory
The Scream Franchise: Revitalizing the Slasher Genre!
by Emily Costello
horror
industry
Dogme 95 – A Spectre is Haunting Europe
by Fionn Morris
genre
history
Bicycle Thieves and the Scale of Stories
by Oliver Spicer
essay
history
Bloodshed and Beethoven: Music as a conscious element in A Clockwork Orange.
by Emily Costello
form
director
Film Censorship in Hollywood: The Hays Code.
by Ruby Gerhardt Greco
history
representations
The Demise of the Teen Dystopian Movie.
by Isabel Hodges
genre
adaptation
Hope on the Horizon: A New Wave of Support for Female Filmmakers.
by Chloe Buxton
feminism
industry
The Wicker Man; The Folk Horror Flame.
by Fionn Morris
horror
theory
Genre and Spectacle in Jordan Peele’s Nope.
by Eda Gokcen
horror
history
The Experience Section: Movie Piracy.
by Max Mason
satire
industry
Apocalypse Now: the Failures of Moral Philosophy in the Case of War.
by Bryn Gatehouse
theory
war films
Eye Motion: Experience, Emotion, & Emulation.
by Oliver Spicer
essay
form
Oscars Prediction 2023
by The Writers
industry
Please Stop the Terrible Hallmark Movie Invasion.
by Isabel Hodges
genre
Billy Idol's 'Dancing with Myself' Horror Film Aesthetic.
by Fionn Morris
horror
inspirations
'That's Hot!' The Fetishization of Mentally Ill Women in film.
by Emily Costello
representations
feminism
Does portrayal of Drug Use in Film & TV Provoke Higher Use?
by Katerina Kamysheva
media
On Voiceovers and Narrators.
by Oliver Spicer
essay
narrative
Making the Movie Gangster II: Aethetics, Identity and Italians; The Godfather.
by Fionn Morris
movie mobsters
analysis
The Lolita-ification of Hollywood.
by Isabel Hodges
industry
adaptation
The Rise and Fall of the Spoof Genre
by Rhys Jones
genre
satire
Triangle of Sadness and the Poor Representation of Asian Characters in Film.
by Chloe Buxton
representations
analysis
Guillermo del Toro’s Pinocchio: Texture and Mortality
by Oliver Spicer
animation
essay
Blonde: a Bleak, Bleached Bore.
by Katerina Kamysheva
analysis
inspirations
Making the Movie Mobster 1: Criminals on Camera.
by Fionn Morris
movie mobsters
history
Fascism in Film 3 -Mishima: a Life in Four Chapters.
by Bryn Gatehouse
fascism in film
Tim Burton in Glorious Colour; A Deep Dive into Burtonism.
by Emily Costello
director
form
Control and Choice in Viewing: Are We Tied down or Free to Leave?
by Oliver Spicer
theory
media
The Craft : Witchcraft and Women.
by Emily Costello
analysis
feminism
Experience: Bullet Train , Feltham Cineworld.
by Max Mason
satire
The Lost Daughter and Representations of Motherhood in Media.
by Chloe Buxton
media
representations
Why is Patrick Bateman your idol? The Internets Frenzy with the Modern Sigma Male.
by Isabel Hodges
media
essay
Chaos, Dinosaurs, and Narrative Theory.
by Oliver Spicer
narrative
science
A Trip Through the Beginnings of Cinema.
by Ruby Gerhardt Greco
history
movements
Apocalypse Now and the Apocalyptic Reality of its Production.
by Rhys Jones
industry
war films
Incantation.
by Eda Gokcen
horror
genre
Fascism in Film 2: Salò, or the 120 Days of Sodom.
by Bryn Gatehouse
fascism in film
essay
Paper Moon: The Symmetry of Cinematic Lies.
by Oliver Spicer
analysis
movements
Fascism in Film: Part 1 - Schindler’s List.
by Bryn Gatehouse
fascism in film
essay
Never Rarely Sometimes Always Exploring Film as a Medium for Political Impact.
by Chloe Buxton
politics
essay
NOW That's What I Call: Camp!
by Isabel Hodges
theory
genre
Goya III: Witches in the Woods and on the Walls
by Fionn Morris
goya-ism
inspirations
Dividing & Combining Film.
by Oliver Spicer
essay
form
Black Swan to Spencer, When Will Male Filmmakers Stop Torturing Women?
by Emily Costello
industry
feminism
Ti West’s X And the Disturbing Spectacle.
by Eda Gokcen
horror
director
Finding a Job in Film.
by Jacob Rose
essay
analysis
The Rise and Fall of the Western.
by Luke Maguire
genre
analysis
The Chemistry of Photographic Film.
by Oliver Spicer
science
history
The Death of the Rom-Com.
by Isabel Hodges
genre
essay
Kung Fu Panda: Wuxia Media and Ancient Chinese Philosophy.
by Rhys Jones
essay
animation
Should Films be Moral?
by Luke Maguire
essay
media
Goyaism II: Dr. Caligari, Monsters and Makeup.
by Fionn Morris
inspirations
goya-ism
The Typeface of Film Titles.
by Oliver Spicer
analysis
inspirations
A Trip Down the Rabbit Hole of a Young Girl’s Coming of Age Dream.
by Eda Gokcen
animation
essay
The Evolution of the Batmobile.
by Zeeshaan Rahman
history
analysis
Authenticity, Artificiality & Performance in All About My Mother.
by Prem Dosanjh
representations
essay
The 2022 Oscars - A Disaster.
by Chloe Buxton
industry
Macbeth On-Screen: Why Re-adaptation is not a Tragedy.
by Oliver Spicer
adaptation
essay
Hollywood's Forgotten Female Past.
by Chloe Buxton
history
feminism
Cronenberg’s Crash – eroticism, the automobile, and death.
by Bryn Gatehouse
theory
essay
The Representation of Women in Horror: the Final Girl Trope.
by Emily Costello
horror
feminism
The Gauge of Francisco Goya, The Painter's Impact on Cinema.
by Fionn Morris
goya-ism
inspirations
The Dimensions of Cinema.
by Oliver Spicer
essay
science