tags / essay

The Dimensions of Cinema.
by Oliver Spicer
Cronenberg’s Crash – eroticism, the automobile, and death.
by Bryn Gatehouse
Macbeth On-Screen: Why Re-adaptation is not a Tragedy.
by Oliver Spicer
Authenticity, Artificiality & Performance in All About My Mother.
by Prem Dosanjh
A Trip Down the Rabbit Hole of a Young Girl’s Coming of Age Dream.
by Eda Gokcen
Should Films be Moral?
by Luke Maguire
Kung Fu Panda: Wuxia Media and Ancient Chinese Philosophy.
by Rhys Jones
The Death of the Rom-Com.
by Isabel Hodges
Finding a Job in Film.
by Jacob Rose
Dividing & Combining Film.
by Oliver Spicer
Never Rarely Sometimes Always Exploring Film as a Medium for Political Impact.
by Chloe Buxton
Fascism in Film: Part 1 - Schindler’s List.
by Bryn Gatehouse
Fascism in Film 2: Salò, or the 120 Days of Sodom.
by Bryn Gatehouse
Why is Patrick Bateman your idol? The Internets Frenzy with the Modern Sigma Male.
by Isabel Hodges
Guillermo del Toro’s Pinocchio: Texture and Mortality
by Oliver Spicer
On Voiceovers and Narrators.
by Oliver Spicer
Eye Motion: Experience, Emotion, & Emulation.
by Oliver Spicer
Bicycle Thieves and the Scale of Stories
by Oliver Spicer
Fascism in Film 4 - Il Conformista.
by Bryn Gatehouse
Do Blondes Really Have More Fun? Hollywood’s Fetish for Platinum.
by Emily Costello
Art on Film: Showing Up & Art College 1994.
by Oliver Spicer
My Obsession with Dirty Dancing and its Catering to the Female Gaze.
by Chloe Buxton
The Weeknd, Harry Styles, & the Singer to Actor Pipeline: Maybe You Just Can’t Do Both?
by Isabel Hodges
Is Film a New “Affirmation of the Spirit of Man”?
by Bryn Gatehouse
Halloween and the Horror Movie Soundtrack.
by Emily Costello
A Scene of Shadows from Casablanca.
by Oliver Spicer
“I don’t know if I like it”: Sofia Coppola’s Priscilla in all its flawed glory.
by Emily Costello
Why Do We Love the Bad Boys? The Romanticisation of Toxic Relationships.
by Isabel Hodges
Natural Born Critiques; How Stone Uses Form to Criticise Different Mediums.
by Fionn Morris
Faux Advertising: Products and Billboards Within Films.
by Oliver Spicer